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saxon901
senior guru

saxon901

What status?
Nick name:
saxon901
Real name:
Grace
Last online:
Now
Registered:
3 years ago (Jul 27, 2016)
Website:
None
Country:
Relat. status:
Single
Birth date:
1901-02-14
Interests:
About me:
Hope to make new friends on the forum and run into some old ones too.
Profile is full on 80%
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master


๐™’๐™ž๐™จ๐™๐™ž๐™ฃ๐™œ ๐™ฎ๐™ค๐™ช ๐™–๐™ก๐™ก ๐™ฉ๐™๐™š ๐™ก๐™ค๐™ซ๐™š ๐™ž๐™ฃ ๐™ฉ๐™๐™š ๐™ฌ๐™ค๐™ง๐™ก๐™™ ๐™ฉ๐™๐™ž๐™จ ๐™‘๐™–๐™ก๐™š๐™ฃ๐™ฉ๐™ž๐™ฃ๐™šโ€™๐™จ ๐˜ฟ๐™–๐™ฎ.


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Happy Birthday smiley smiley


master
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Happy Valentine's Birthday to you Grace smiley


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smiley


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master
โœฏ๐™„๐™ฃ๐™จ๐™ฅ๐™ž๐™ง๐™–๐™ฉ๐™ž๐™ค๐™ฃ๐™–๐™ก ๐˜ผ๐™ฃ๐™™ ๐™ˆ๐™ค๐™ฉ๐™ž๐™ซ๐™–๐™ฉ๐™ž๐™ค๐™ฃ๐™–๐™ก ๐™Ž๐™ฉ๐™ค๐™ง๐™ž๐™š๐™จ.......๐™๐™๐™š ๐˜ฝ๐™ค๐™ฎ ๐™’๐™๐™ค ๐˜พ๐™๐™–๐™ฃ๐™œ๐™š๐™™ ๐˜ผ ๐™‘๐™ž๐™ก๐™ก๐™–๐™œ๐™š
We all have struggles and burdens that we deal with on a daily basis. For untold thousands of people, they can carry hardships, misery, and a sense of doom with them for years.

โœฏ๐™๐™๐™š ๐˜ฝ๐™ค๐™ฎ ๐™’๐™๐™ค ๐˜พ๐™๐™–๐™ฃ๐™œ๐™š๐™™ ๐˜ผ ๐™‘๐™ž๐™ก๐™ก๐™–๐™œ๐™š ......Once upon a time in a small mountain village, it was the custom for the villagers to strap on their knapsacks each morning. Then, during the day, each time they worried about something or felt depressed about a problem, they would pick up a small pebble and put it in their knapsack. The knapsacks were heavy and a burden to carry because the villagers never emptied them. They carried their burdens every day. It was all they knew.One day one of the village elders walked down to the river bank bent over from his knapsack full of burdens and noticed one of the small boys from the village skipping pebbles across the water. The boyโ€™s knapsack was empty.What are you doing the old man asked. And why is your knapsack empty Why arenโ€™t you carrying your burdens like the rest of us.I come down to the river bank at the end of each day, the boy said, and skip my pebbles across the water until my knapsack is empty. I see no reason to keep carrying them.The old man was stunned and so bent over from his knapsack full of burdens that he could hardly move. He had never seen anyone cast their burdens away like that. Would you like to try it the boy asked.The old man was hesitant, yet it seemed like such a good idea. Slowly he reached into his knapsack that was large and heavy from all the burdens he had accumulated over many years. He grabbed a pebble and studied it, recalling the burden of pain that he felt when he had placed it in his knapsack. He was so bent over that it was difficult to cast the burden away and watch it skip across the water and finally disappear, but he somehow did it..The boy smiled. The old man smiled also. It was easier than he thought to let go of the burden. Then he tossed another pebble, another burden, then another, and another. The boy stayed and watched. They built a fire and the old man kept throwing until his knapsack was at last empty. He felt so relieved.The next day the old man, standing straight and tall, told the other villagers what happened and how good he felt. They could see how happy he was, how he looked and acted like a different person. They were amazed.At the end of the day, all the villagers joined the old man and the small boy and went to the river bank and skipped their burdens across the water until their knapsacks were empty. They were amazed at how good and happy they felt. They never continued to hang onto their burdens again. A sign was erected at the entrance to the village that said.....
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@1FRAC1 ......... and I figured it out all by my self. - GC


master

โค๏ธ ๐™๐™ค๐™ง๐™œ๐™š๐™ฉ ๐™ฉ๐™๐™š ๐™ก๐™–๐™จ๐™ฉ ๐™–๐™ฃ๐™™ ๐™ฌ๐™š๐™ก๐™˜๐™ค๐™ข๐™š ๐™ฉ๐™๐™š ๐™ฃ๐™š๐™ฌ ๐™ข๐™ค๐™ฃ๐™ฉ๐™ ๐™ฌ๐™ž๐™ฉ๐™ ๐™–๐™ก๐™ก ๐™ฎ๐™ค๐™ช๐™ง ๐™๐™š๐™–๐™ง๐™ฉ. ๐™ˆ๐™–๐™ฎ ๐™ฎ๐™ค๐™ช ๐™๐™–๐™ซ๐™š ๐™จ๐™ช๐™ฃ๐™ฃ๐™ฎ ๐™™๐™–๐™ฎ๐™จ ๐™–๐™ฃ๐™™ ๐™˜๐™–๐™ก๐™ข ๐™ฃ๐™ž๐™œ๐™๐™ฉ๐™จ ๐™–๐™๐™š๐™–๐™™......๐˜ฝ๐™š ๐™ฌ๐™š๐™ก๐™ก. .....๐™ƒ๐™–๐™ฅ๐™ฅ๐™ฎ ๐™๐™š๐™—๐™ง๐™ช๐™–๐™ง๐™ฎ

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@แ—ฉแ–‡แ—ฐแ•ฎแ•ฎK It's my birthday month, thank you for my first heart. -GC


master
@saxon901 Valentines baby....I like that...Just in case I forget,
โค๏ธHappy Early Birthday Darlin'


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@1FRAC1 I've seen paid musicians that were less entertaining. -GC


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แ‘•แ—ฉแ–‡แ‘Žแ•ฎแฏแ—ฉแ’ชแ•ฎ แ—ชI แฏแ•ฎแ‘Žแ•ฎแ˜”Iแ—ฉ 2020..............2020 แฏแ•ฎแ‘ŽIแ‘•แ•ฎ แ‘•แ—ฉแ–‡แ‘ŽIแฏแ—ฉแ’ช...*ITแ—ฉแ’ชY
โ˜…In 1980, Venice renewed the tradition. Every year,on February 08th to February 25th three million visitors fill the bridges, canals and squares of Venice and turn the city into a giant theater stage.

โ˜…The city itself becomes a living and breathing decoration. Visiting the city during the carnival dates is a marvelous opportunity to reveal the most closely guarded secrets of one of the most unique and magic cities in the world. The mask is an indispensable part of ancient tradition from the 11th century.
โ˜… The original Carnival took place in 1162 to honor one of Venice's victorious battles when the city was known as the Repubblica della Serenissima. It took more than a hundred years before city leaders proclaimed Carnival an official event, and then it grew until its wild peak in the 18th century, when Venice was renowned as the pleasure capital of Europe, producing the likes of the famously hedonistic Casanova.The carnival of Venice is unlike any other carnival in Europe or the whole world.
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master


หœโ€*ยฐโ€ข.หœโ€*ยฐโ€ข ๐˜–๐˜ฏ ๐˜š๐˜ฆ๐˜ฑ๐˜ต๐˜ฆ๐˜ฎ๐˜ฃ๐˜ฆ๐˜ณ 14๐˜ต๐˜ฉ, 2019 ๐˜ˆ๐˜ฎ๐˜บ ๐˜ž๐˜ช๐˜ฏ๐˜ฆ๐˜ฉ๐˜ฐ๐˜ถ๐˜ด๐˜ฆ ๐˜ธ๐˜ฐ๐˜ถ๐˜ญ๐˜ฅโ€™๐˜ท๐˜ฆ ๐˜ต๐˜ถ๐˜ณ๐˜ฏ๐˜ฆ๐˜ฅ 36 ๐˜บ๐˜ฆ๐˜ข๐˜ณ๐˜ด ๐˜ฐ๐˜ญ๐˜ฅ, ๐˜ข๐˜ฏ๐˜ฅ, ๐˜ฅ๐˜ฆ๐˜ด๐˜ฑ๐˜ช๐˜ต๐˜ฆ ๐˜ฉ๐˜ฆ๐˜ณ ๐˜ฑ๐˜ณ๐˜ฆ๐˜ฎ๐˜ข๐˜ต๐˜ถ๐˜ณ๐˜ฆ ๐˜ฅ๐˜ฆ๐˜ข๐˜ต๐˜ฉ ๐˜ฐ๐˜ฏ ๐˜‘๐˜ถ๐˜ญ๐˜บ 23๐˜ณ๐˜ฅ 2011 ๐˜ช๐˜ฏ ๐˜“๐˜ฐ๐˜ฏ๐˜ฅ๐˜ฐ๐˜ฏ, ๐˜ฉ๐˜ฆ๐˜ณ ๐˜ถ๐˜ฏ๐˜ช๐˜ฒ๐˜ถ๐˜ฆ, ๐˜ด๐˜ค๐˜ณ๐˜ข๐˜ต๐˜ค๐˜ฉ๐˜บ, ๐˜ฆ๐˜น๐˜ต๐˜ณ๐˜ข๐˜ฐ๐˜ณ๐˜ฅ๐˜ช๐˜ฏ๐˜ข๐˜ณ๐˜บ ๐˜ข๐˜ฏ๐˜ฅ ๐˜ฅ๐˜ฆ๐˜ฆ๐˜ฑ ๐˜ท๐˜ฐ๐˜ช๐˜ค๐˜ฆ, ๐˜ช๐˜ฎ๐˜ฃ๐˜ถ๐˜ฆ๐˜ฅ ๐˜ธ๐˜ช๐˜ต๐˜ฉ ๐˜ฃ๐˜ญ๐˜ถ๐˜ฆ๐˜ด, ๐˜ณ๐˜ฐ๐˜ค๐˜ฌ, ๐˜ซ๐˜ข๐˜ป๐˜ป ๐˜ข๐˜ฏ๐˜ฅ ๐˜ด๐˜ฐ๐˜ถ๐˜ญ, ๐˜ค๐˜ฐ๐˜ฏ๐˜ต๐˜ช๐˜ฏ๐˜ถ๐˜ฆ๐˜ด ๐˜ต๐˜ฐ ๐˜ง๐˜ข๐˜ด๐˜ค๐˜ช๐˜ฏ๐˜ข๐˜ต๐˜ฆ ๐˜ฎ๐˜ช๐˜ญ๐˜ญ๐˜ช๐˜ฐ๐˜ฏ๐˜ด ๐˜ฐ๐˜ง ๐˜ฑ๐˜ฆ๐˜ฐ๐˜ฑ๐˜ญ๐˜ฆ, ๐˜ฆ๐˜ท๐˜ฆ๐˜ฏ ๐˜ต๐˜ฉ๐˜ฐ๐˜ด๐˜ฆ ๐˜ต๐˜ฉ๐˜ข๐˜ต ๐˜ฉ๐˜ข๐˜ท๐˜ฆ ๐˜ฃ๐˜ฆ๐˜ค๐˜ฐ๐˜ฎ๐˜ฆ ๐˜ง๐˜ข๐˜ฎ๐˜ช๐˜ญ๐˜ช๐˜ข๐˜ณ ๐˜ธ๐˜ช๐˜ต๐˜ฉ ๐˜ฉ๐˜ฆ๐˜ณ ๐˜ฎ๐˜ถ๐˜ด๐˜ช๐˜ค ๐˜ฐ๐˜ฏ๐˜ญ๐˜บ ๐˜ญ๐˜ข๐˜ต๐˜ฆ๐˜ณ ๐˜ฐ๐˜ฏ โ€ขยฐ*โ€หœ.โ€ขยฐ*โ€หœ
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master
๐—ช๐—ต๐˜† ๐—ช๐—ฒ ๐—ช๐—ฎ๐—น๐—ธ....๐—” ๐— ๐—ฎ๐—ป๐—ถ๐—ณ๐—ฒ๐˜€๐˜๐—ผ ๐—ณ๐—ผ๐—ฟ ๐—ฃ๐—ฒ๐—ฟ๐—ถ๐—ฝ๐—ฎ๐˜๐—ฒ๐˜๐—ถ๐—ฐ ๐—˜๐—บ๐—ฝ๐—ผ๐˜„๐—ฒ๐—ฟ๐—บ๐—ฒ๐—ป๐˜............ ...๐—•๐˜† ๐——๐—ฟ.๐—Ÿ๐—ฎ๐˜‚๐—ฟ๐—ฒ๐—ป ๐—˜๐—น๐—ธ๐—ถ๐—ป
I walk because, somehow, itโ€™s like reading....... Youโ€™re privy to these lives and conversations that have nothing to do with yours...............Every walk is a sort of crusade.

Why do I walk? I like the rhythm of it, my shadow always a little ahead of me on the pavement. I like being able to stop when I like, to lean against a building and make a note in my journal, or read an email, or send a text message, and for the world to stop while I do it. Walking, paradoxically, allows for the possibility of stillness. Walking is mapping with your feet. It helps you piece a city together, connecting up neighbourhoods that might otherwise have remained discrete entities, different planets bound to each other, sustained yet remote. I like seeing how in fact they blend into one another, I like noticing the boundaries between them. Walking helps me feel at home. Thereโ€™s a small pleasure in seeing how well Iโ€™ve come to know the city through my wanderings on foot, crossing through different neighborhoods of the city, some I used to know quite well, others I may not have seen in a while, like getting reacquainted with someone I once met at a party. Sometimes I walk because I have things on my mind, and walking helps me sort them out. I walk because it confers or restores a feeling of placeness. I walk because, somehow, itโ€™s like reading. Youโ€™re privy to these lives and conversations that have nothing to do with yours, but you can eavesdrop on them. Sometimes itโ€™s overcrowded; sometimes the voices are too loud. But there is always companionship. You are not alone......*You walk in the city side by side with the living and the dead.
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master

๐˜ผ๐™ง๐™ข๐™š๐™ฃ๐™ž๐™–๐™ฃ ๐™–๐™ช๐™ฉ๐™๐™ค๐™ง, ๐™ฅ๐™–๐™ž๐™ฃ๐™ฉ๐™š๐™ง, ๐™˜๐™–๐™ง๐™ฉ๐™ค๐™ค๐™ฃ๐™ž๐™จ๐™ฉ ๐™–๐™ฃ๐™™ ๐™ก๐™–๐™ฃ๐™œ๐™ช๐™–๐™œ๐™š ๐™ฃ๐™ค๐™ซ๐™š๐™ก๐™ž๐™จ๐™ฉ. ..............๐™ˆ๐™–๐™ง๐™ž๐™–๐™ข ๐™‹๐™š๐™ฉ๐™ง๐™ค๐™จ๐™ฎ๐™–๐™ฃ
Mariam Petrosyan, is most well known as the author of the award-winning novel The Gray House.Mariam Petrosyan was born in 1969 in Yerevan, the capital of Armenia. After finishing an art college she became a cartoonist at the Studio of Armenfilm. Later she moved to Moscow to work at Soyuzmultfilm, but came back to Yerevan in 1995 and returned to Armenfilm.

๐Ÿ”น The House, which sits overlooked on the outskirts of town, is a boarding school for disabled young adults. Isolated from the Outsides, the residents of the House are enmeshed in a carefully constructed world of unspoken rules and thorny histories. The meandering narrative moves back and forth in time, alternating narrators and tenses, to paint an intricate portrait of a social order that appears ultimately dictated by an unknown force, understood by its inhabitants to be the House itself. When student deaths begin to pile up over the course of the narrative, readers can identify with newcomer Smoker as he tries to understand the mysteries of the House and the source of its power over its inhabitants.....Mariam Petrosyan rips up the rule book, presenting a highly original and energetic novel that will give the reader an insight into a world that is seldom presented.
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master
แ—ฐแ‘Œแ’ชTI-แ—ฉแ—ฏแ—ฉแ–‡แ—ช แ—ฏIแ‘Žแ‘ŽIแ‘ŽG Sแ•ผOแ–‡T แ–ดIแ’ชแ—ฐ..............โ˜… Tแ•ผแ•ฎ แ‘Žแ•ฎIGแ•ผแ—ทOแ–‡S แ—ฏIแ‘Žแ—ชOแ—ฏ
โ˜… Inspired by a true story, the film was written and directed by three-time Oscar-nominated documentary filmmaker, Marshall Curry. Starring Tony-nominated Maria Dizzia......
*Tแ•ผแ•ฎ แ‘Žแ•ฎIGแ•ผแ—ทOแ–‡S แ—ฏIแ‘Žแ—ชOแ—ฏ tells the story of Alli, a mother of young children who has grown frustrated with her daily routine. But her life is shaken up when two free-spirited twenty-somethings move in across the street and she discovers that she can see into their apartment.


..โ˜…โ˜…โ˜…โ˜…โ˜… A delicate tale in which envy bleeds into empathy.... Unexpected and moving.โ˜…โ˜…โ˜…โ˜…โ˜…
แ–‡แ‘Œแ‘ŽTIแ—ฐแ•ฎ: 20แ—ฐIแ‘Ž....ยป vimeo.com/channels/staffpicks/37...
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@Bread&Circuses Sounds a lot like the UK today. -GC


master
๐‘ญ๐’“๐’†๐’๐’„๐’‰ ๐‘จ๐’“๐’•๐’Š๐’”๐’• ๐‘ท๐’‚๐’Š๐’๐’•๐’†๐’“ ๐’‚๐’๐’… ๐’‘๐’‰๐’๐’•๐’๐’ˆ๐’“๐’‚๐’‘๐’‰๐’†๐’“........ .............โ˜† ๐‘ญ๐’“๐’‚๐’๐’„๐’๐’Š๐’”๐’† ๐‘ต๐’Š๐’†๐’๐’๐’š
ยซ Her paintings are expressive and exhibit a brute force with fascinating vital energy. She uses oils and a knife combine to sculpt her images. Whether she paints the human body or portraits, she always means to take risks. Nielly lives and paints in Paris near Montmartre. Her work has been exhibited and sold in Europe,Canada and the US...............โ˜† ๐‘ท๐’‚๐’“๐’Š๐’”, ๐‘ญ๐’“๐’‚๐’๐’„๐’†





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master
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Happy New Year . . .



The Story Behind Dan Fogelberg's [SPOILER]



master


Wishing you 12 months of success, 52 weeks of laughter, 365 days of fun, 8760 hours of joy, 525600 minutes of good luck and 31536000 seconds of happiness....Stay Healthy-Stay Safe....*Happy 2020.

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